![\"\"](\"https:\/\/vagon.gallery\/wp-content\/uploads\/2025\/07\/20250602-VagonEvent-709278-200x300.jpg\")
<\/a><\/p>\nQ: Kako vidi\u0161 \u201enevidljivo bo\u017eanstvo\u201c uspjeha u savremenom umjetni\u010dkom polju? Kako te ta ideja inspiri\u0161e u tvom radu?
\nTo \u201enevidljivo bo\u017eanstvo\u201c meni zapravo deluje vrlo vidljivo i konstrukciono \u2013 sastavljeno od talenta, rada, ambicije, komunikativnosti, ali i od nepotizma, kapitala i pripadnosti odre\u0111enim krugovima. Iako se \u010desto mistifikuje, uspeh u umetnosti je sve vi\u0161e prepoznat kao ne\u0161to \u0161to se strate\u0161ki gradi i \u0161to nije dostupno svima. Ono \u0161to me zanima jeste trenutak kada umetnik, suo\u010den s granicama vlastitog uticaja, pose\u017ee za dijalogom s nevidljivim \u2013 bilo kroz spiritualnost, manifestaciju ili molitvu. Taj momenat nemo\u0107i i nade postaje klju\u010dan motiv u mom radu.<\/p>\n
Q: U \u201ePatience is Key\u201c istra\u017euje\u0161 rituale vjere koji podr\u017eavaju sistem umjetni\u010dkog uspjeha. Kako ih prepoznaje\u0161 u svakodnevnom \u017eivotu umjetnika, kustosa, galerista i drugih aktera?
\nTi rituali \u010desto deluju nevidljivo jer su normalizovani \u2013 postali su svakodnevnica. Kod umetnika su to stalna apliciranja, izlaganja koje niko ne vidi, pisanja motivacionih pisama bez stvarne motivacije, portfoliji koji se stalno doteruju. Kod kustosa i galerista, to su rituali prepoznavanja potencijala, vere u viziju umetnika. Svi oni funkcioni\u0161u kao posrednici izme\u0111u onoga \u0161to je trenutno nevidljivo i onoga \u0161to mo\u017ee postati vidljivo i priznato.<\/p>\n
Q: Performans sugeri\u0161e da je vjera u uspjeh uslov opstanka u umjetnosti. Kako se to poklapa s tvojim li\u010dnim iskustvima sa institucijama i sistemom?
\nMoje iskustvo sa sistemom bih najlak\u0161e opisala kao jurenje za de\u010dkom koji nije zainteresovan. I kada o\u010dekuje\u0161 minimalno, opet mora\u0161 da spusti\u0161 o\u010dekivanja. Sistem ne funkcioni\u0161e u skladu s trudom, nego po sopstvenim, \u010desto neprozirnim logikama. Ipak, umetnici ne mogu potpuno da ga ignori\u0161u \u2013 pa se u njemu snalazimo kako znamo i umemo.<\/p>\n
Q: Kakvu ulogu publika ima u ritualima koje postavlja\u0161? Kako njihovo aktivno u\u010de\u0161\u0107e mijenja njihov polo\u017eaj u umjetni\u010dkom sistemu?
\nU ovom radu, publika ima aktivnu, skoro sau\u010desni\u010dku ulogu. Prvi put dajem publici mogu\u0107nost da bude deo procesa, a ne samo pasivni posmatra\u010d. Andre Lepecki pravi razliku izme\u0111u posmatra\u010da i svedoka \u2013 dok je posmatra\u010d pasivan, svedok preuzima odgovornost, prenosi iskustvo i tako postaje deo transmisije. Time se menja i njihov status unutar sistema \u2013 nisu vi\u0161e konzumenti, ve\u0107 u\u010desnici.<\/p>\n
Q: Zanimljivo je kako vjerovanje i neznanje funkcioni\u0161u zajedno. Kako taj odnos oblikuje tvoj kreativni proces?
\nNeznanje vidim kao va\u017ean element koji omogu\u0107ava otvorenost. Ne vodi sve znanje \u2013 nekad vode intuicija, gre\u0161ka, slu\u010daj. Umetnost se \u010desto de\u0161ava upravo u tom prostoru izme\u0111u onoga \u0161to znamo i onoga \u0161to slutimo.<\/p>\n
Q: Strpljenje se u tvom radu prikazuje kao aktivni \u010din, gotovo liturgijski. Kako to vidi\u0161 u kontekstu svog rada i \u0161ire dru\u0161tvene stvarnosti?
\nStrpljenje je ne\u0161to s \u010dim se stalno borim. Kroz razgovore s iskusnijim umetnicima, \u010desto \u010dujem da je strpljenje klju\u010dno. Ja li\u010dno nemam potvrdu da ono vodi uspehu, ali znam da se bolje ose\u0107am kada sam iskrena u onome \u0161to stvaram. Strpljenje, za mene, zna\u010di ostati u procesu \u010dak i kada nema rezultata.<\/p>\n
Q: Sistem uspjeha tra\u017ei vjeru, ali je imun na sumnju. Kako gleda\u0161 na ulogu kritike i sumnje unutar tog sistema?
\nSumnja je neizbe\u017ena i, rekla bih, neophodna. Problem nastaje kada se ose\u0107a\u0161 zarobljeno \u2013 kada ne mo\u017ee\u0161 da kritikuje\u0161 a da ne snosi\u0161 posledice. U zdravim koli\u010dinama, sumnja je korisna. Ona te tera da preispituje\u0161, da ne pristaje\u0161 na prvi impuls ili o\u010dekivanje.<\/p>\n
Q: Kako vidi\u0161 prostor za subverziju unutar sistema koji komodifikuje i kontroli\u0161e umjetnost?
\nMislim da je subverzija danas dominantan jezik umetnosti. Umetnici biraju da komuniciraju kroz otpor, da odbijaju da u\u010destvuju u odre\u0111enim strukturama, da prkose pravilima tr\u017ei\u0161ta. To je mo\u017eda i jedini prostor u kom se trenutno mo\u017eemo direktno suo\u010diti s institucijama koje oblikuju umetni\u010dku vrednost.<\/p>\n
Q: \u0160ta za tebe zna\u010di strpljenje kao \u201edinami\u010dka praksa pre\u017eivljavanja\u201c? Kako se to mo\u017ee primijeniti u umjetni\u010dkom djelovanju?
\nStrpljenje je za mene aktivno stanje opstanka. Biti prisutan i kada nema priznanja, kada ne vidi\u0161 izlaz \u2013 to je snaga. U umetnosti to zna\u010di odupirati se pritiscima brzine, algoritama, stalne vidljivosti. Zna\u010di dozvoliti radu da sazri, formi da bude nejasna. U tom smislu, strpljenje je politi\u010dki \u010din \u2013 protiv logike kapitala i tr\u017ei\u0161ta koje tra\u017ei stalni output i samopromociju.<\/p>\n
Vjera, neznanje, sumnja i strpljenje vi\u0161e nisu znakovi slabosti, ve\u0107 alati otpora u sistemu koji rijetko opra\u0161ta nevidljivost.<\/p>","protected":false},"excerpt":{"rendered":"
U savremenom umjetni\u010dkom polju, uspjeh se rijetko do\u017eivljava kao transparentan ili univerzalno dostupan cilj. Naprotiv, sve vi\u0161e nalikuje dogmatskom sistemu vjerovanja \u2013 ne\u010demu \u0161to zahtijeva ritualnu predanost, tiho strpljenje i nepokolebljivu vjeru, uprkos tome \u0161to su njegova pravila nejasna, a kriteriji selektivni i promjenjivi. Umjetni\u010dki uspjeh nije samo rezultat rada i talenta, ve\u0107 proizvod niza […]<\/p>","protected":false},"author":14,"featured_media":13447,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[218],"tags":[],"class_list":["post-13446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stanice"],"acf":[],"yoast_head":"\n
Strpljenje kao politi\u010dka praksa - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/strpljenje-kao-politicka-praksa\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Strpljenje kao politi\u010dka praksa - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"U savremenom umjetni\u010dkom polju, uspjeh se rijetko do\u017eivljava kao transparentan ili univerzalno dostupan cilj. Naprotiv, sve vi\u0161e nalikuje dogmatskom sistemu vjerovanja \u2013 ne\u010demu \u0161to zahtijeva ritualnu predanost, tiho strpljenje i nepokolebljivu vjeru, uprkos tome \u0161to su njegova pravila nejasna, a kriteriji selektivni i promjenjivi. 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<\/a><\/p>\n