{"id":14072,"date":"2026-05-04T15:52:33","date_gmt":"2026-05-04T15:52:33","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=14072"},"modified":"2026-05-04T16:03:40","modified_gmt":"2026-05-04T16:03:40","slug":"jednoj-zeni-je-gorela-glava-12-dana","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/jednoj-zeni-je-gorela-glava-12-dana\/","title":{"rendered":"A Woman\u2019s Head Burned for 12 Days"},"content":{"rendered":"
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With my numb fingers and lipstick, I draw tectonic disturbances,<\/span><\/p>

I plan distortions, I paint black holes,\u00a0\u00a0<\/span><\/p>

on which an army of women like me will dance.\u00a0\u00a0<\/span><\/p>

whose hands also go numb, whose bodies cry songs,\u00a0\u00a0<\/span><\/p>

waging wars within their own bodies.\u00a0\u00a0<\/span><\/p>

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Artist Na\u0111a Kra\u010dunovi\u0107, through humor, auto-theory, performance, and polyphony, summons an \u201carmy of women like me\u201d into a process marked by chronic bodily conditions shaped over the past three years by multiple sclerosis (MS). This network of artistic notes invites both individual and collective reflection on feminized emotional labor, which has been rendered invisible within everyday relationships, society, and systemic structures.\u00a0<\/span><\/p>

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Often a trivialized question <\/span>How are you\/we?<\/span> It demands automated responses that, on a daily level, limit our understanding of ourselves and of possible worlds. Becoming both an individual and a multitude is not always welcome, as being molded into roles, singular identities, and positions makes us more accessible to fields of extraction.\n\nOne of the key roles of art is precisely to shift, question, and provoke these boundaries. In doing so, it does not need to be megalomaniacal, precise, or canonically compliant; on the contrary. Its transformative power emerges in vibrations, neural skips, and confrontations with the sources of resistance to inevitable change.<\/span><\/p>

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Spider-woman<\/span>, <\/span>needle-woman<\/span>, <\/span>a woman whose head is burning<\/span>Artistic methods become strategies of survival and living, centering the body as a wounded storyteller. Na\u0111a uses humor as a key tool for translating symptoms into fictional characters such as fatigue, hysteria, tingling, headaches, and nausea.\n\nA body that deviates from normative functionality is declared wrong and inadequate; it becomes a living archive in which \u201ccolonial enclaves of power\u201d vibrate. This also opens the question of belonging to or owning the body, and the imposed consent within the relationship between patient, medical worker, and the medical system.\u00a0\u00a0\u00a0<\/span><\/p>

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Na\u0111a playfully translates these dynamics in her works. <\/span>Chronic superpositions<\/span> and <\/span>Look at her!<\/span>. (..<\/span>She is funded by a German foundation, she enjoys every ovation, doctors can\u2019t tell if it\u2019s ovulation or a nation?<\/span>) Drawings on specialist referral forms, poetry, interventions on passport photographs used for immigration to Germany, knitted spider sculptures, plaster bones and spine, and speech become a cathartic polyphony of the body in cellular, physical, social, and political transition.\u00a0<\/span><\/p>

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Dehumanized lives, Immigrant wives\u00a0\u00a0<\/span><\/p>

Medical workers, Bodies with a price,\u00a0\u00a0<\/span><\/p>

I stand here for you, speaking my broken tongues.<\/span><\/p>

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Through repetition, alterations, and the multiplication of roles and positions, the artist dissolves the molds into which patriarchy and capitalism daily compress us. She calls for the transformation of (internal) oppressive voices into curiosity that holds space for deeper listening toward an exit.\n\nAs Paul B. Preciado (*I Am the Monster That Speaks to You*) also reminds us: \u201cAnyone among you who would dare to dive into the kaleidoscope of their own desire and their own body, into their reservoir of nervous tension, into their own memory, might find within themselves a revitalizing excitement, a free energy that urges us to live differently, to change, to be different, to be, so to speak, radically alive.\u201d<\/span><\/p>

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Text: Nata\u0161a Prljevi\u0107<\/span><\/p>

Na\u0111a Kra\u010dunovi\u0107<\/b> (1996, Belgrade, Serbia) is an interdisciplinary artist who lives and works in Berlin. Her artistic practice encompasses voice, performance, drawing, and text through which she explores biopolitical practices of gender, illness, and citizenship, as well as everyday social relations. As strategies of survival, her works emerge from the female throat, personal diaries, intimate encounters, medical reports, and fiction.\u00a0<\/span><\/p>

Her international exhibition and performance practice includes the Museum of Contemporary Art in Skopje, Documenta 15 in Kassel, and Kunstsammlungen Chemnitz. She has participated in numerous residencies, including CRL \u2013 Central El\u00e9trica (Porto, Portugal), DAAD Heritage for Communities (Luxor, Egypt), and Freie Radikale at Floating University (Berlin, Germany). She is the recipient of several artistic scholarships and mobility programs.<\/span><\/p>

In her pedagogical and mentorship practice, she works in the fields of voice, performance, and artistic strategies; she leads a long-term workshop\u2026 <\/span>How to Perform a Scream?<\/span><\/i>, in which the voice becomes a tool of resistance, liberation, and collective imagination. She is a co-founder of a mobile multimedia institute\u2026 <\/span>Crying Classroom<\/span><\/i> i \u010dlanica interdisciplinarnog ansambla<\/span> Don\u2019t Worry, It\u2019s Out of Control.<\/span><\/i><\/p>

https:\/\/nadjakracunovic.com\/<\/span><\/a><\/p>

Nata\u0161a Prljevi\u0107<\/b> is an interdisciplinary artist, cultural worker, and organizer. Through collaborative and collective feminist practice, she focuses on the role of art in developing collective imagination, transformative pedagogy, and justice. She cultivates collage and polyphony, developing various modalities and media in her artistic, curatorial, and mentoring work.\u00a0<\/span><\/p>

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She received her education and work experience in Serbia, the United States, and Mexico. During her master\u2019s studies, she taught at The New School\/Parsons School of Art and Design, Brooklyn College, and the University of Michigan, Ann Arbor. She worked as executive assistant and curator at the artist residency program Residency Unlimited in New York (2016\u20132019). She is the initiator of the transnational platform HEKLER, which focuses on collectively questioning hospitality and conflict, and a member of the organizational team of the meeting point \u010cetiri vode in Ljubanje, initiated by Jelena Prljevi\u0107.\u00a0<\/span><\/p>

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http:\/\/www.natasaprljevic.com\/<\/span><\/a><\/p>



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Mojim utrnulim prstima, karminom, crtam tektonske poreme\u0107aje, Planiram distorzije, bojim crne rupe,\u00a0\u00a0 Po kojima ce plesati armija \u017eena kao ja.\u00a0\u00a0 \u010cije ruke isto tako trnu, \u010dija tela pla\u010du pesme,\u00a0\u00a0 Vode\u0107i ratove u sopstvenim telima.\u00a0\u00a0 \u00a0 Umetnica Na\u0111a Kra\u010dunovi\u0107 humorom, autoteorijom, performansom i vi\u0161eglasjem saziva \u2019\u2019armiju \u017eena kao ja\u2019\u2019 u proces obele\u017een hroni\u010dnim stanjima tela koje […]<\/p>\n","protected":false},"author":14,"featured_media":14082,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-14072","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nJednoj \u017eeni je gorela glava 12 dana - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/jednoj-zeni-je-gorela-glava-12-dana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jednoj \u017eeni je gorela glava 12 dana - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"Mojim utrnulim prstima, karminom, crtam tektonske poreme\u0107aje, Planiram distorzije, bojim crne rupe,\u00a0\u00a0 Po kojima ce plesati armija \u017eena kao ja.\u00a0\u00a0 \u010cije ruke isto tako trnu, \u010dija tela pla\u010du pesme,\u00a0\u00a0 Vode\u0107i ratove u sopstvenim telima.\u00a0\u00a0 \u00a0 Umetnica Na\u0111a Kra\u010dunovi\u0107 humorom, autoteorijom, performansom i vi\u0161eglasjem saziva \u2019\u2019armiju \u017eena kao ja\u2019\u2019 u proces obele\u017een hroni\u010dnim stanjima tela koje […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/vagon.gallery\/en\/izlozbe\/jednoj-zeni-je-gorela-glava-12-dana\/\" \/>\n<meta property=\"og:site_name\" content=\"Vagon Gallery\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/vagongallery\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-04T16:03:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/vagon.gallery\/wp-content\/uploads\/2026\/05\/dec-2025-izlozba-perf-razgovor-701006-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/jednoj-zeni-je-gorela-glava-12-dana\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/jednoj-zeni-je-gorela-glava-12-dana\\\/\"},\"author\":{\"name\":\"Isidora Brankovi\u0107\",\"@id\":\"https:\\\/\\\/vagon.gallery\\\/#\\\/schema\\\/person\\\/dad10f68a0e175df920fb318649dd40f\"},\"headline\":\"Jednoj \u017eeni je gorela glava 12 dana\",\"datePublished\":\"2026-05-04T15:52:33+00:00\",\"dateModified\":\"2026-05-04T16:03:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/jednoj-zeni-je-gorela-glava-12-dana\\\/\"},\"wordCount\":819,\"publisher\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/jednoj-zeni-je-gorela-glava-12-dana\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/vagon.gallery\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/dec-2025-izlozba-perf-razgovor-701006-scaled.jpg\",\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/jednoj-zeni-je-gorela-glava-12-dana\\\/\",\"url\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/jednoj-zeni-je-gorela-glava-12-dana\\\/\",\"name\":\"Jednoj \u017eeni je gorela glava 12 dana - 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