{"id":14072,"date":"2026-05-04T15:52:33","date_gmt":"2026-05-04T15:52:33","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=14072"},"modified":"2026-05-04T16:03:40","modified_gmt":"2026-05-04T16:03:40","slug":"jednoj-zeni-je-gorela-glava-12-dana","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/jednoj-zeni-je-gorela-glava-12-dana\/","title":{"rendered":"Jednoj \u017eeni je gorela glava 12 dana"},"content":{"rendered":"
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Mojim utrnulim prstima, karminom, crtam tektonske poreme\u0107aje,<\/span><\/p>

Planiram distorzije, bojim crne rupe,\u00a0\u00a0<\/span><\/p>

Po kojima ce plesati armija \u017eena kao ja.\u00a0\u00a0<\/span><\/p>

\u010cije ruke isto tako trnu, \u010dija tela pla\u010du pesme,\u00a0\u00a0<\/span><\/p>

Vode\u0107i ratove u sopstvenim telima.\u00a0\u00a0<\/span><\/p>

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Umetnica Na\u0111a Kra\u010dunovi\u0107 humorom, autoteorijom, performansom i vi\u0161eglasjem saziva \u2019\u2019armiju \u017eena kao ja\u2019\u2019 u proces obele\u017een hroni\u010dnim stanjima tela koje poslednje tri godine informi\u0161e multipla skleroza (MS). Mre\u017ea umetni\u010dkih zabele\u0161ki poziva na individualno i kolektivno promi\u0161ljanje feminizovanog emotivnog rada (u\u010dinjenog) nevidljivim za svakodnevne odnose, dru\u0161tvo i sistem.\u00a0<\/span><\/p>

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Neretko trivijalizovano pitanje <\/span>kako si\/smo?<\/span> iziskuje automatizovane odgovore koje nam na svakodnevnom nivou ograni\u010davaju razumevanje sebe i mogu\u0107eg sveta. Postajanje jedinkom i mno\u0161tvom nije uvek dobrodo\u0161lo, jer nas ukalupljivanje u uloge, singularne identitete i pozicije \u010dini dostupnijim poljima ekstrakcije. Upravo jedna od klju\u010dnih uloga umetnosti je da te granice pomera, preispituje i provocira. Da bi to \u010dinila ona ne mora biti megalomanska, precizna, kanonski zadovoljavaju\u0107a, naprotiv. Njena transformativna snaga se javlja u titrajima, neuronskim preskakanjima, suo\u010davanjima sa izvorima otpora neminovnoj promeni.<\/span><\/p>

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\u017dena-pauk<\/span>, <\/span>\u017eena-igla<\/span>, <\/span>\u017eena kojoj gori glava<\/span>. Umetni\u010dke metode postaju strategije pre\u017eivaljavanja i \u017eivljenja, centriraju\u0107i telo kao ranjenog pripoveda\u010da\/icu. Na\u0111a koristi humor kao klju\u010dni alat za prevo\u0111enje simptoma u fiktivne karaktere, poput umora, histerije, trnjenja, glavobolje i mu\u010dnine. Telo koje odstupa od normativne funkcionalnosti biva progla\u0161eno pogre\u0161nim i neadekvatnim, postaje \u017eiva arhiva u kojoj titraju “kolonijalne enklave mo\u0107i”. Tu se\u00a0 otvara i pitanje pripadnosti\/ posedovanja tela, nametnutog pristanka na odnos u relaciji pacijentkinja – medicinski radnik\/ca – medicinski sistem.\u00a0\u00a0\u00a0<\/span><\/p>

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Ove dinamike Na\u0111a razigrano prevodi u svojim radovima <\/span>Hroni\u010dne superpozicije<\/span> i <\/span>Vidi ti nju!<\/span>. (..<\/span>hrani je nema\u010dka fondacija, svi\u0111a joj se svaka ovacija, doktori ne znaju je l\u2019 ovulacija il\u2019 nacija?<\/span>) Crte\u017ei na uputima za specijalisti\u010dke preglede, poezija, intervencije na fotografijama iz paso\u0161a kori\u0161\u0107ene za imigraciju u Nema\u010dku, ispletene skulpture pauka, gipsane kosti i ki\u010dma, i govor postaju katarzi\u010dno vi\u0161eglasije tela u \u0107elijskoj, telesnoj, dru\u0161tvenoj i politi\u010dkoj tranziciji.\u00a0<\/span><\/p>

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Dehumanized lives, Immigrant wives\u00a0\u00a0<\/span><\/p>

Medical workers, Bodies with a price,\u00a0\u00a0<\/span><\/p>

I stand here for you, speaking my broken tongues.<\/span><\/p>

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Repeticijom, alteracijama, i umno\u017eavanjem uloga i pozicija umetnica rasta\u010de kalupe u koje nas patrijarhat i kapitalizam svakodnevno sabijaju. Ona poziva na transformaciju (unutra\u0161njih) opresivnih glasova u radoznalost koja nam dr\u017ei prostor za dublje oslu\u0161kivanje ka izlazu. Tako nam i Pol Presijado (Ja sam to \u010dudovi\u0161te koje vam se obra\u0107a) poru\u010duje: \u201cBilo ko od vas, ko bi se usudio da zaroni u kaledioskop sopstvene \u017eelje i sopstvenog tela, u svoj rezervoar nervne napetosti, u vlastito pam\u0107enje, mogao bi u sebi da pronadje okrepljuju\u0107e uzbudjenje, slobodnu energiju koja nagoni da \u017eivimo druga\u010dije, da se menjamo da budemo druga\u010diji, da budemo, takore\u0107i, radikalno \u017eivi.\u201d<\/span><\/p>

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Tekst: Nata\u0161a Prljevi\u0107<\/span><\/p>

Na\u0111a Kra\u010dunovi\u0107<\/b> (1996, Beograd, Srbija) je interdisciplinarna umetnica koja \u017eivi i radi u Berlinu. Njena umetni\u010dka praksa obuhvata glas, performans, crte\u017e i tekst kroz koje istra\u017euje biopoliti\u010dke prakse roda, bolesti, i dr\u017eavljanstva, kao i svakodnevne socijalne odnose. Kao strategije pre\u017eivljavanja, radovi nastaju iz grla \u017eene, li\u010dnih dnevnika, intimnih susreta, medicinskih izve\u0161taja, i fikcije.\u00a0<\/span><\/p>

Internacionalna izlaga\u010dka i izvo\u0111a\u010dka praksa uklju\u010duju Muzej savremene umetnosti u Skoplju, Documenta 15 u Kassel-u, i Kunstsammlungen Chemnitz. U\u010destvovala je na brojnim rezidencijama, uklju\u010duju\u0107i CRL \u2013 Central El\u00e9trica (Porto, Portugal), DAAD Heritage for Communities (Luksor, Egipat) i Freie Radikale pri Floating University (Berlin, Nema\u010dka). Dobitnica je vi\u0161e umetni\u010dkih stipendija i programa mobilnosti.<\/span><\/p>

U svojoj pedago\u0161koj i mentorskoj praksi radi u oblasti glasa, performansa i umetni\u010dkih strategija; vodi dugogodi\u0161nju radionicu <\/span>How to Perform a Scream?<\/span><\/i>, u kojoj glas postaje alat otpora, osloba\u0111anja i kolektivne imaginacije. Suosniva\u010dica je mobilnog multimedijalnog instituta <\/span>Crying Classroom<\/span><\/i> i \u010dlanica interdisciplinarnog ansambla<\/span> Don\u2019t Worry, It\u2019s Out of Control.<\/span><\/i><\/p>

https:\/\/nadjakracunovic.com\/<\/span><\/a><\/p>

Nata\u0161a Prljevi\u0107<\/b> je interdisciplinarna umetnica, radnica u kulturi i organizatorka. Putem kolaborativne i kolektivne feministi\u010dke prakse fokusira se na ulogu umetnosti u razvoju kolektivne imaginacije, transformativne pedagogije i pravde. Neguje kola\u017e i vi\u0161eglasje, razvijaju\u0107i razne modalite i medije u svoj umetni\u010dki, kustoski i mentorsku rad.\u00a0<\/span><\/p>

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Obrazovanje i radno iskustvo stekla je u Srbiji, SAD-u i Meksiku. Predavala je na New School\/Parsons School of Art and Design, Brooklyn College, i University of Michigan, Ann Arbor u toku master studija. Radila je kao izvr\u0161na asistentkinja i kustoskinja na umetni\u010dkom rezidencijalnom programu Residency Unlimited u Njujorku (2016-2019). Inicijatorka je transnacionalne platforme HEKLER koja se fokusira na kolektivno propitivanje gostoprimstva i konflikta, i deo organizacionog tima sastajali\u0161ta \u010cetiri vode u Ljubanjama, koje je inicirala Jelena Prljevi\u0107.\u00a0<\/span><\/p>

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http:\/\/www.natasaprljevic.com\/<\/span><\/a><\/p>



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Mojim utrnulim prstima, karminom, crtam tektonske poreme\u0107aje, Planiram distorzije, bojim crne rupe,\u00a0\u00a0 Po kojima ce plesati armija \u017eena kao ja.\u00a0\u00a0 \u010cije ruke isto tako trnu, \u010dija tela pla\u010du pesme,\u00a0\u00a0 Vode\u0107i ratove u sopstvenim telima.\u00a0\u00a0 \u00a0 Umetnica Na\u0111a Kra\u010dunovi\u0107 humorom, autoteorijom, performansom i vi\u0161eglasjem saziva \u2019\u2019armiju \u017eena kao ja\u2019\u2019 u proces obele\u017een hroni\u010dnim stanjima tela koje […]<\/p>\n","protected":false},"author":14,"featured_media":14082,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-14072","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nJednoj \u017eeni je gorela glava 12 dana - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/jednoj-zeni-je-gorela-glava-12-dana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jednoj \u017eeni je gorela glava 12 dana - 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