{"id":14013,"date":"2026-05-04T10:37:08","date_gmt":"2026-05-04T10:37:08","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=14013"},"modified":"2026-05-04T15:14:38","modified_gmt":"2026-05-04T15:14:38","slug":"no-more-im-sorry","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/no-more-im-sorry\/","title":{"rendered":"No more “I'm sorry”"},"content":{"rendered":"
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It frightened me that you were so interested in me; it felt like too much. You had only seen me once and it seemed
as if you wanted everything from me, literally everything.
I felt uncomfortable because I have issues with myself, so I\u2019m focused on work, and it\u2019s hard for me to deal with you.
in this moment.
I don\u2019t want to waste your time because I\u2019m not mentally present.
I need to recharge. I worry a lot.
I feel like a bad person, so I slept and stayed in silence, sewed my work, and watched series. This is
probably my way of healing.
I don\u2019t want to force things in life, so there\u2019s no point in dating anyone right now. You know, when you\u2019re content and in
peace with who you are, all the good things come to you.
I\u2019m okay, but I don\u2019t think we should see each other anymore as lovers; it\u2019s too much for me. I\u2019m sorry if you think that I
wasted your time; that wasn\u2019t my intention. It\u2019s just too hard right now.
I enjoyed your company, and it wouldn\u2019t be fair if I were indecisive with you. Everything is simply
too much to handle, and I feel bad writing this to you, but at the same time I have to be honest about how I feel.
and I feel awful. Please don\u2019t hate me.<\/p>

*No More \u201cI\u2019m Sorry\u201d* is an introspective exhibition grounded in deep personal experience and a collective narrative of women\u2019s voices, where the artist Marlen Ban, through the medium of embroidery, explores a female perspective on emotional, psychological, and physical harm within romantic relationships. It re-examines concepts of loneliness, the search for partnership, and the social pressures that shape female identity.\n\nStarting from a personal story of ending a traumatic relationship, Ban uses embroidery as a medium to convey a strong message of autonomy and resistance. The exhibition challenges the need for women to apologize in situations where they are, in fact, the victims, prompting the audience to reassess socially conditioned narratives.<\/p>


Words of the curator
*No More \u201cI\u2019m Sorry\u201d* opens the door to the complex theme of romantic relationships interwoven with expectations, hopes, conflicts, disappointments, fear, and rupture. Speaking from her own perspective, the artist Marlen Ban places in focus the female response to harm within romantic relationships\u2014emotional, psychological, and physical.\n\nIn today\u2019s immediate social reality, a woman is nominally independent from a man, yet the social belief remains strongly present that she can only become a fully realized person once she finds her \u201cother half.\u201d Preoccupied with ideas of unaccepted solitude and the forced search for a partner, the artist questions what these constructs mean to her now, and what they meant in her personal history. How are they embodied in the community around her? What role has social pressure of humility and silencing one\u2019s own voice played in these processes in order to be liked? What are the consequences of this?\n\nThere is no single answer\u2014apart from general patterns of patriarchal upbringing, traditional understandings of women\u2019s roles in relationships, and consent that ensures survival\u2014Ban turns to the polyvocality of experiences.\n\nThe work emerges from the embroidery of a text about the artist\u2019s breakup of a traumatic relationship, and through the choice of embroidery as a traditional medium culturally associated with women\u2019s handcraft and togetherness, empathetic communication is intuitively encouraged. By involving women in the process of creating the artwork, the artist creates a safe space for sharing and dialogue.\n\nThrough exchange, collaborators become co-authors whose, in the words of Sara Ahmed, \u201c...telling the story of pain and injury is not necessarily therapeutic...\u201d but becomes a testimony that demands active listening.\n\nThrough direct exposure of herself, the artist protects the potential need for anonymity of collaborators, taking into account the layered nature of stories and contexts that no single work could encompass.\n\nThe central motif of the embroidered text is the very common phenomenon of unnecessary apology\u2014apologizing when injustice has been done to us and taking on blame in order not to disturb the other person and to suffer even more. The artist creates a monochrome environment in which it is impossible to escape words, yet which is paradoxically soft in relation to articulated feelings. Symbolically, the color white evokes both an ending and a new beginning, while the present shadows suggest the indelible presence of experience.\n\nYet already in the title a decision is emphasized: the decision to stop repeating patterns, searching for excuses, and silencing one\u2019s own voice.\u00a0*More \u201cI\u2019m Sorry\u201d*, in its softness and whiteness, is a subtle yet clear call to resist imposed\u00a0<\/span>justifications and painful silences.<\/span><\/p>


Marlen Ban (1999) is a student of New Media at the Department of Animated Film and New Media,
Academy of Fine Arts at the University of Zagreb, and Public Administration studies at the Faculty of Law,
Faculty of the University of Zagreb. Through her artistic practice, she examines social and personal
relationships as well as her own states and fears. She has participated in group and solo exhibitions in
Croatia and abroad.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Upla\u0161ilo me \u0161to si bio toliko zaineteresiran za mene, bilo mi je previ\u0161e. Vidio si me samo jednom i djelovaloje kao da \u017eeli\u0161 doslovno sve od mene.Bila sam neugodna jer imam problema sama sa sobom pa mi je fokus na poslu i te\u0161ko mi je nositi se s tobomu ovom trenutku.Ne \u017eelim ti tro\u0161iti vrijeme […]<\/p>\n","protected":false},"author":14,"featured_media":14014,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-14013","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nNo more "I'm sorry" - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/no-more-im-sorry\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"No more "I'm sorry" - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"Upla\u0161ilo me \u0161to si bio toliko zaineteresiran za mene, bilo mi je previ\u0161e. Vidio si me samo jednom i djelovaloje kao da \u017eeli\u0161 doslovno sve od mene.Bila sam neugodna jer imam problema sama sa sobom pa mi je fokus na poslu i te\u0161ko mi je nositi se s tobomu ovom trenutku.Ne \u017eelim ti tro\u0161iti vrijeme […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/vagon.gallery\/en\/izlozbe\/no-more-im-sorry\/\" \/>\n<meta property=\"og:site_name\" content=\"Vagon Gallery\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/vagongallery\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-04T15:14:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/vagon.gallery\/wp-content\/uploads\/2026\/05\/nov-izlozba-bijela-vagon-700794-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/no-more-im-sorry\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/no-more-im-sorry\\\/\"},\"author\":{\"name\":\"Isidora Brankovi\u0107\",\"@id\":\"https:\\\/\\\/vagon.gallery\\\/#\\\/schema\\\/person\\\/dad10f68a0e175df920fb318649dd40f\"},\"headline\":\"No more “I'm sorry”\",\"datePublished\":\"2026-05-04T10:37:08+00:00\",\"dateModified\":\"2026-05-04T15:14:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/no-more-im-sorry\\\/\"},\"wordCount\":803,\"publisher\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/no-more-im-sorry\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/vagon.gallery\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/nov-izlozba-bijela-vagon-700794-scaled.jpg\",\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/no-more-im-sorry\\\/\",\"url\":\"https:\\\/\\\/vagon.gallery\\\/izlozbe\\\/no-more-im-sorry\\\/\",\"name\":\"No more \\\"I'm sorry\\\" - 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