{"id":13904,"date":"2026-05-04T09:02:28","date_gmt":"2026-05-04T09:02:28","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=13904"},"modified":"2026-05-04T09:12:33","modified_gmt":"2026-05-04T09:12:33","slug":"manifestation-of-not-holding-down-the-fork","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/manifestation-of-not-holding-down-the-fork\/","title":{"rendered":"Manifestation of not holding down the fork"},"content":{"rendered":"
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Galerija Vagon s ponosom predstavlja Manifestations of not holding down the fork, prvu samostalnu izlo\u017ebu Karla \u0160tefaneka u Banja Luci, otvorenu od 22. kolovoza do 2. rujna 2025. Ovaj novi ciklus radova nastavlja \u0160tefanekovo istra\u017eivanje identiteta kroz poeziju, instalacije i performans. Izlo\u017eba zapo\u010dinje \u0160tefanekovom pjesmom, intimnim obra\u0107anjem \u201ctebi\u201d, u kojem \u010din \u201cne-ljutitog dr\u017eanja vilice\u201d postaje \u010din odbijanja i taktika pre\u017eivljavanja. Izme\u0111u ispovijesti i deklaracije, tekst postavlja tempo izlo\u017ebe koja jezik tretira ne samo kao materijal, ve\u0107 i kao \u017eivo, neposlu\u0161no tijelo. Sredi\u0161nje mjesto zauzima istoimeno djelo Manifestations of not holding down the fork (2025), serija tanjura ispisanih autorovom poezijom i bilje\u0161kama. \u010citani pojedina\u010dno, ovi tanjuri su krhke izjave, lomljive i po materijalu i po zna\u010denju; \u010ditani zajedno, sla\u017eu se u manifest, knjigu od tanjura spremnih da budu razbijeni. Neki od tanjura ispunjeni su i crte\u017eima, naljepnicama te kola\u017eiranim fragmentima, pa se tako vizualno i verbalno preklapa u \u010dinovima nje\u017enosti i prkosa. \u0160tefanekov rad \u010desto uklju\u010duje igru s tekstom i jezikom; njegova uporaba teksta istodobno je poetska i politi\u010dka, \u010desto upisana izravno na povr\u0161ine (ko\u017eu, tkaninu, papir) kao produ\u017eetak tjelesne diskurzivnosti. Najvidljiviji primjer ovoga njegov je rad I AM NOT, \u0161est metara duga LGBTQIA+ zastava oslikana akrilnim slovima, gdje se queer teorijski diskurs susre\u0107e s estetikom protesta, naivne manifestacije i gubljenjem samoga sebe. \u0160tefanekova praksa dosljedno propituje labilnost vlastitog identiteta kroz performativne postupke. Njegov kontinuirani ciklus Self-titled (2022\u2013) istra\u017euje autorstvo i autenti\u010dnost koriste\u0107i tijelo i portret kao mjesto otkrivanja i otpora. Dio istog ciklusa, Something like time (In the event of), dokumentira \u010detverosatni performans u kojem \u0160tefanek, li\u0161en svega, iscrtava linije na zidu, \u010detiri okomite i jednu dijagonalnu, bez otkrivanja \u0161to se to\u010dno broji niti kada \u0107e, i ho\u0107e li, stati. Svaki potez otvara prostor naga\u0111anju: radi li se o danima od dolaska, satima do odlaska, godinama odlaska ili vremenu do sljede\u0107eg prekida? \u0160to se precrtava i preko \u010dega se prelazi? Na otvorenju \u0107e \u0160tefanek izvesti i rad Ah, I\u2019m always so temporary. Ogoljen, umjetnik se pretvara u \u017eivu skulpturu, izlo\u017een i nepokretan, s privremenom tetova\u017eom na le\u0111ima. Iako rad priziva vizual odmora, performans destabilizira njegovu pretpostavljenu nevinost: \u201cPolo\u017eaj odmora opona\u0161a polo\u017eaj silovanja.<\/p>\n

Polo\u017eaj brige opona\u0161a polo\u017eaj osvajanja.\u201d \u0160tefanek horizontalno tijelo predstavlja kao sporno polje; ono koje odbija produktivnost, odbija izvedbu, a ipak postaje dostupno, \u010ditljivo, \u010dak i prisvojeno. \u201cSigurnost za gledatelja uvijek je opasnost za subjekt,\u201d stoji u tekstu. Zauzev\u0161i le\u017ee\u0107i polo\u017eaj, umjetnik pretvara estetiku pasivnosti u o\u0161tru kritiku publike, kontrole i prolaznosti obojega. Kroz objekte, poeziju i performans, Manifestations of not holding down the fork odbijaju stabilnost identiteta i prihva\u0107aju njegove pukotine, zamjene i brisanja. \u201cPrebrojat \u0107u sve na\u010dine na koje srce mo\u017ee puknuti\u201d, zaklju\u010duje \u0160tefanek u istoimenoj pjesmi, \u201cI ne\u0107u ljutito dr\u017eati vilicu.\u201d<\/p>\n

Karlo \u0160tefanek je multidisciplinarni umjetnik \u010diji rad istra\u017euje kako se identitet konstruira, dekonstruira i rekonstruira kroz medije autoportreta i performansa. Sa osamnaest godina seli u Amsterdam, gdje njegov prvi performans Veneration of St. Sebastian, naru\u010den za CC Amstel i Becoming festival u suradnji s nizozemskim umjetnikom Tobiasom Mudom, ozna\u010dava klju\u010dni trenutak u kojem otkriva svoju sklonost ka performansu, tako stvaraju\u0107i temelj za smjer kasnijih radova. Self-titled, serija autoportreta zapo\u010deta 2022., poziva publiku u prostor stalnog samootkrivanja. Ideja da je prisutnost uvijek nestabilna i podlo\u017ena dekonstrukciji jasno je vidljiva u radovima poput The Artist Has Died i Missing iz iste serije. U The Artist Has Died (2024.), \u0160tefanek javno progla\u0161ava vlastitu smrt u hrvatskim novinama Jutarnji list, otvaraju\u0107i pitanja o institucionalnoj validaciji, autorstvu, reinvenciji i brisanju. Ovaj je rad uslijedio nakon Missing (2023.\u2013), u kojem je umjetnik postavljao plakate nestalih osoba s vlastitim likom u gradovima poput Amsterdama, New Yorka, Pariza, Zagreba i Venecije, pretvaraju\u0107i urbani prostor u platformu egzistencijalnih pitanja oblikovanih njegovim susretima s tim gradovima. Me\u0111u ostalim zna\u010dajnim radovima su Hyaluron, performans u kojem \u0160tefanek prolazi estetsku intervenciju u znak po\u010dasti umjetnici ORLAN, te The Chair, strate\u0161ki postavljen objekt na klju\u010dnim mjestima suvremene umjetnosti \u2013 od amsterdamskog Museumpleina do Venecijanskog bijenala \u2013 koji kritizira institucionalno zatvaranje pristupa u suvremenoj umjetnosti. U radu Against Self, izvedenom tijekom festivala Perforacije u Zagrebu, postaje istodobno i prosvjednik i meta prosvjeda, suo\u010davaju\u0107i identitet kao unutarnju i vanjsku borbu. \u0160tefanek je izlagao na me\u0111unarodnoj razini poput Hrvatskog paviljona na Venecijanskom bijenalu (grupna izlo\u017eba By the Means at Hand inicirana od strane umjetnice Vlatke Horvat), Stedelijk muzeja u Amsterdamu, Muzeja suvremene umjetnosti u Zagrebu, te na festivalima uklju\u010duju\u0107i Becoming (Amsterdam), SerformanceP (S\u00e3o Paulo) i Perforacije (Zagreb). U 2025. godini umjetnikove samostalne izlo\u017ebe planirane su u HDLU-u (Osijek), KIC-u (Zagreb),
Galeriji Vagon (Banja Luka) te ARL-u (Dubrovnik), a tu su i nadolaze\u0107a predstavljanja na 60. Zagreba\u010dkom salonu, Okolo Around (Zagreb) i Perforacijama (Buenos Aires). \u0160tefanek \u017eivi i radi izme\u0111u Zagreba, Amsterdama i New Yorka.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Galerija Vagon s ponosom predstavlja Manifestations of not holding down the fork, prvu samostalnu izlo\u017ebu Karla \u0160tefaneka u Banja Luci, otvorenu od 22. kolovoza do 2. rujna 2025. Ovaj novi ciklus radova nastavlja \u0160tefanekovo istra\u017eivanje identiteta kroz poeziju, instalacije i performans. Izlo\u017eba zapo\u010dinje \u0160tefanekovom pjesmom, intimnim obra\u0107anjem \u201ctebi\u201d, u kojem \u010din \u201cne-ljutitog dr\u017eanja vilice\u201d postaje […]<\/p>","protected":false},"author":14,"featured_media":13903,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-13904","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nManifestation of not holding down the fork - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/manifestation-of-not-holding-down-the-fork\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manifestation of not holding down the fork - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"Galerija Vagon s ponosom predstavlja Manifestations of not holding down the fork, prvu samostalnu izlo\u017ebu Karla \u0160tefaneka u Banja Luci, otvorenu od 22. kolovoza do 2. rujna 2025. 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