{"id":13821,"date":"2026-05-04T08:31:46","date_gmt":"2026-05-04T08:31:46","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=13821"},"modified":"2026-05-04T08:50:50","modified_gmt":"2026-05-04T08:50:50","slug":"trilogija-tuge","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/trilogija-tuge\/","title":{"rendered":"Trilogija tuge"},"content":{"rendered":"
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Dom nikada nije neutralan prostor. On je proizvod odnosa mo\u0107i, kulturnih normi i generacijskih transmisija. Posebno u \u017eenskom iskustvu, dom je mjesto gdje se spajaju reproduktivni rad, emocionalna ekonomija, ti\u0161ina i pripadanje. U izlo\u017ebi Trilogija tuge ova slojevita ideja doma mapira se kroz li\u010dnu, ali duboko strukturiranu genealogiju, fokusiranu isklju\u010divo na \u017eensku liniju porodice. Bajka koju baka govori pred san prenosi formu transgeneracijskog znanja. Bajka u ovom slu\u010daju ne oblikuje pri\u010du, ve\u0107 model prenosa: kroz glas, ritam, ritual i atmosferu. Trilogija tuge oslanja se na matricu znanja koje se prenosi ponavljanjem, svakodnevnim radom, brigom i afektivnim oblicima prisustva. Umjetnica koristi sopstvenu kosu kao materijal. Biolo\u0161ki trag koji istovremeno pripada tijelu, ali mo\u017ee pre\u017eivjeti izvan njega. Kosa postaje nosilac vremena i rada. U njoj su istovremeno sa\u010duvane i \u0107elijske informacije i emocionalne sedimentacije. Vezenje kosom funkcioni\u0161e kao epistemolo\u0161ka gesta. Rije\u010d je o na\u010dinu bilje\u017eenja koji je uporno prisutan. Taj trag nastaje sporo, ritmi\u010dno, kroz ponavljanje koje podsje\u0107a na tihe forme \u017eenskog rada u doma\u0107instvu \u2014 \u0161ivanje, \u010duvanje, pripremanje, pre\u017eivljavanje. Ovaj gest aktivira oblik sje\u0107anja koji nije individualan, ali nije ni institucionalno zabilje\u017een. To je sje\u0107anje koje pripada linijama \u017eenske genealogije. Nesigurno, krhko i postojano. U ovom kontekstu biolo\u0161ki materijal postaje supstanca. Kroz tri prostorne cjeline izlo\u017ebe formira se osje\u0107aj kru\u017eenja. Ne napredovanja. To je klju\u010dno za razumijevanje koncepta vremena i doma: linearna naslje\u0111a se zamjenjuje repetitivnom praksom. Dom se u ovom slu\u010daju odr\u017eava. Trilogija tuge mapira dom kroz fizi\u010dku i emocionalnu infrastrukturu. Tu dolazimo do drugog klju\u010da izlo\u017ebe: biolo\u0161ki elementi nisu samo materijali, ve\u0107 svjedoci. Kosa, tijelo, glas, prostor \u2014 svi funkcioniraju kao mediji u registraciji iskustava koja se naj\u010de\u0161\u0107e ne smatraju znanjem. U ovom radu, oni to
postaju. Kada dom vi\u0161e nije mogu\u0107e identifikovati jednom lokacijom, on se vra\u0107a kao fragment. Vladimirka Velaga formira strukturu osje\u0107anja kroz koju se tuga, pa\u017enja i pripadanje organizuju. Ovdje se govori o osje\u0107anjima koji su vezani kroz odnose. Ne doga\u0111aje. \u0160ta to stoji iza doma ? Trilogija tuge se bavi infrastrukturom svakodnevice. Fokusira nepla\u0107eni, nevidljivi i rodno kodirani rad koji stoji u temelju odr\u017eavanja \u017eivota. Rad koji nije arhiviran, institucionalizovan niti valorizovan, ali \u010dini materijalnu osnovu dru\u0161tvenih odnosa. Kosa, tekstil, prostor i ponavljanje funkcioni\u0161u kao operativni elementi kroz koje se bilje\u017ei kontinuirani napor odr\u017eavanja. Umjetni\u010dki rad ovdje ne posreduje zna\u010denje, ve\u0107 modelira proizvodne odnose.<\/p>\n

Tekst: Isidora Brankovi\u0107<\/p>\n

Vladimirka Velaga<\/p>\n

Ro\u0111ena u Banjoj Luci 2002. godine gdje trenutno poha\u0111a zavr\u0161nu godinu studija na Akademiji umjetnosti Univerziteta u Banjoj Luci, na odsjeku za slikarstvo, u klasi profesorice Borjane Mr\u0111a. Kao medije umjetni\u010dkog izra\u017eavanja koristi sliku, crte\u017e, video umjetnost i umjetni\u010dke instalacije. Istra\u017euje vez i koristi ga kao bitan dio svog umjetni\u010dkog izra\u017eavanja. U svojoj umjetni\u010dkoj praksi propituje porodi\u010dno naslije\u0111e i uvjerenja, kao i odnos pojedinca prema domu, sve gledaju\u0107i kroz \u017eensku porodi\u010dnu liniju. Ostvaruje se i kao kostimograf na filmu i pozori\u0161tu. Izlagala u zemlji i inostranstvu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Dom nikada nije neutralan prostor. On je proizvod odnosa mo\u0107i, kulturnih normi i generacijskih transmisija. Posebno u \u017eenskom iskustvu, dom je mjesto gdje se spajaju reproduktivni rad, emocionalna ekonomija, ti\u0161ina i pripadanje. U izlo\u017ebi Trilogija tuge ova slojevita ideja doma mapira se kroz li\u010dnu, ali duboko strukturiranu genealogiju, fokusiranu isklju\u010divo na \u017eensku liniju porodice. Bajka […]<\/p>","protected":false},"author":14,"featured_media":13822,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-13821","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nTrilogija tuge - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/trilogija-tuge\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trilogija tuge - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"Dom nikada nije neutralan prostor. On je proizvod odnosa mo\u0107i, kulturnih normi i generacijskih transmisija. Posebno u \u017eenskom iskustvu, dom je mjesto gdje se spajaju reproduktivni rad, emocionalna ekonomija, ti\u0161ina i pripadanje. U izlo\u017ebi Trilogija tuge ova slojevita ideja doma mapira se kroz li\u010dnu, ali duboko strukturiranu genealogiju, fokusiranu isklju\u010divo na \u017eensku liniju porodice. 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