{"id":13586,"date":"2026-03-11T13:16:00","date_gmt":"2026-03-11T13:16:00","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=13586"},"modified":"2026-03-11T13:31:37","modified_gmt":"2026-03-11T13:31:37","slug":"the-home-i-always-carry-with-me","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/the-home-i-always-carry-with-me\/","title":{"rendered":"The home I always carry with me"},"content":{"rendered":"
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Tokom zadnjih nekoliko godina, stvarala\u0161tvo umetnice Anastasije Saut se razvija u kontekstu procesa emigracije \u2013 napu\u0161tanja rodnog mesta, gubljenja koncepta \u201edoma\u201d kao takvog, menjanja okolnosti i metoda li\u010dne borbe. U okviru svog umetni\u010dkog istra\u017eivanja, Ana zaklju\u010duje da se nostalgija mo\u017ee posmatrati kao fenomen u kojem se iz rana ra\u0111aju snaga i ne\u017enost. Centralno delo ove izlo\u017ebe i celokupnog Aninog projekta posve\u0107enog psiholo\u0161kom pojmu \u201eunutra\u0161njeg deteta\u201c je ambijentalni rad The Gift to Inner Child. Slika tepiha poti\u010de iz \u010duvene tradicije koja se zadr\u017eala u post-sovjetskom prostoru \u2013 ka\u010denje tepiha na zidove kao znak relativnog bogatstva usred sveobuhvatnog siroma\u0161tva, \u0161to predstavlja oznaku pripadnosti vi\u0161em sloju dru\u0161tva, a uistinu je samo varka. Ovaj, na prvi pogled \u010dudni element sovjetske kulture za mla\u0111e generacije je postao sekvenca se\u0107anja na detinjstvo, kao deo beskrajne de\u010dije fantazije pre spavanja koja je bila sposobna da izdvoji, izma\u0161ta likove \u017eivotinja i magi\u010dnih stvorenja u ornamentu tepiha. Vi\u0161emedijski rad The Gift to Inner Child predstavlja animaciju crte\u017ea u kojem umetnica prikazuje slike koje je prime\u0107ivala, zami\u0161ljala u ovom ornamentu tokom svog detinjstva, kao i pobacane, polomljene, stare, prete\u017eno jugoslovenske, igra\u010dke prona\u0111ene na pijaci u Beogradu. Elementi se\u0107anja iz dve razli\u010dite kulture se objedinjuju u glasu same umetnice koja peva uspavanku i time stvara transkulturni znak, obele\u017eavaju\u0107i op\u0161te poznati motiv. Anastasija razvija ideju \u201edrugog detinjstva\u201c u serijama Second Childhood i Timeless-Timelessness. Objekti-asambla\u017ei uklju\u010duju predmete koje je umetnica slu\u010dajno prona\u0161la, \u201euramljene\u201c u komade starog, suvog drveta koji podse\u0107aju na sakralne tajne de\u010dijeg univerzuma, pa\u017eljivo odabrane, sa\u010duvane i kasnije zaboravljene sentimentalne pri\u010de. Prevazila\u017eenje vremenskog jaza izme\u0111u detinjstva i odraslosti, kao i kona\u010dno ujedinjenje \u201eunutra\u0161njeg deteta\u201c i \u201eunutra\u0161njeg odraslog\u201c \u2013 na osnovu svega toga nastaje jedan od zadnjih projekata Call your Childhood. Koriste\u0107i spoj tehnologija i ve\u0107 skoro zaboravljenog oblika starog fiksnog telefona, Anastasija stvara interaktivnu instalaciju \u010diji je cilj da posmatra\u010d pozove svoj sopstveni ili bilo koji drugi broj koji pamti iz vremena svog detinjstva. Ko \u0107e se javiti? Verovatno, najbolji period va\u0161eg \u017eivota. Zvu\u010danje bezbri\u017enog postojanja. Cilj izlo\u017ebe The Place I Always Carry With Me je da se, na osnovu se\u0107anja na detinjstvo predstavljenih u radovima, kreira fantomski prostor de\u010dije sobe ili sobe de\u010dijih se\u0107anja \u2013 ne\u010dega op\u0161te poznatog svima, ali i li\u010dnog za svakoga. Prostor u kojem se uspomene na detinjstvo ne pretvaraju u bolnu tugu za izgubljenim ose\u0107ajem stalnosti i sigurnosti, ve\u0107 postaju oslonac tra\u017eenja sigurnosti i samopouzdanja unutar sebe, a ne u spolja\u0161njim senzacijama. Budu\u0107i da se detinjstvo obi\u010dno smatra periodom neza\u0161ti\u0107enosti i krhkosti, svojim projektom umetnica pru\u017ea mogu\u0107nost da tuga za proteklim vremenima, nestalim ljudima iz pro\u0161losti i za domom kao takvim postane
podr\u017eavaju\u0107a snaga i da se stvori neki drugi univerzum u kojem mo\u017eda niko od nas nikada nije napu\u0161tao taj dom.<\/p>

Tekst: Veronika Podrjadova<\/p>

Anastasija Saut
Ro\u0111ena u Rigi, Letonija. Od 2024. godine \u017eivi u Beogradu. Interdisciplinarni pristup u Anastasijinoj umetni\u010dkoj praksi zasnovan je na njenom iskustvu kao psihologa i umetnice. Njen trenutni fokus je na multimedijalnim instalacijama koje uklju\u010duju stvaranje umetni\u010dkih objekata, slika, kola\u017ea, grafika i video radova. Svoje obrazovanje umetnice i psiholo\u0161kinje Anastasia objedinjuje tokom studija pri Moskovskom muzeju savremene umetnosti. Od 2010. godine po\u010dinje da se bavi umetni\u010dkim istra\u017eivanjima dru\u0161tveno zna\u010dajnih tema. U\u010desnica je me\u0111unarodnih bijenala savremene umetnosti, brojnih samostalnih i grupnih izlo\u017ebi u Evropi, Americi, Velikoj Britaniji i Rusiji i me\u0111unarodnih umetni\u010dkih rezidencija. Kreira umetni\u010dke kataloge i knjige umetnika.<\/p>

Veronika Podrjadova
Ro\u0111ena u Jekaterinburgu, Rusija. Od 2023. godine \u017eivi u Beogradu. Godine 2023. diplomirala je istoriju umetnosti na Uralskom Federalnom Univerzitetu. Tokom studija u Rusiji bila je kustoskinja brojnih izlo\u017ebi i umetni\u010dkih projekata. Godine 2024. zavr\u0161ila je master studije istorije umetnosti na Filozofskom fakultetu Univerziteta u Beogradu. Trenutno poha\u0111a doktorske studije na istom fakultetu i bavi se temom me\u0111unarodnih izlo\u017ebenih razmena, kao i prou\u010davanjem jugoslovenske konceptualne umetnosti. Saradnica je Muzeja savremene umetnosti u Beogradu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Tokom zadnjih nekoliko godina, stvarala\u0161tvo umetnice Anastasije Saut se razvija u kontekstu procesa emigracije \u2013 napu\u0161tanja rodnog mesta, gubljenja koncepta \u201edoma\u201d kao takvog, menjanja okolnosti i metoda li\u010dne borbe. U okviru svog umetni\u010dkog istra\u017eivanja, Ana zaklju\u010duje da se nostalgija mo\u017ee posmatrati kao fenomen u kojem se iz rana ra\u0111aju snaga i ne\u017enost. Centralno delo ove […]<\/p>","protected":false},"author":14,"featured_media":13587,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-13586","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nThe home I always carry with me - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/the-home-i-always-carry-with-me\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The home I always carry with me - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"Tokom zadnjih nekoliko godina, stvarala\u0161tvo umetnice Anastasije Saut se razvija u kontekstu procesa emigracije \u2013 napu\u0161tanja rodnog mesta, gubljenja koncepta \u201edoma\u201d kao takvog, menjanja okolnosti i metoda li\u010dne borbe. 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