{"id":13062,"date":"2025-03-10T14:45:52","date_gmt":"2025-03-10T14:45:52","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=13062"},"modified":"2025-03-10T17:18:26","modified_gmt":"2025-03-10T17:18:26","slug":"to-si-ti-sta-vidis","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/to-si-ti-sta-vidis\/","title":{"rendered":"That's you. What do you see?"},"content":{"rendered":"
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Every reflection is already an interpretation, filtered through ideological matrices, cultural codes and personal delusions. What do we really see? The visual-sound performance That's you. What do you see? deconstructs the act of perception, directing it beyond the visual domain and shifting the focus to listening \u2013 not only as a physical act, but as an epistemological, political and existential strategy. Seeing is often passive, saturated with pre-given meanings, but listening is always radical: it requires presence, encounter, responsibility. That's you. What do you see? makes an experiment in the endurance of one's own authenticity in the face of the reflections of the audience system. The voice becomes an instrument of resistance, the text pulsates between manifestos, while thought fragments and recombines in the spaces between sound and symbol. Through rhythmic tension and conceptual decomposition of social norms, That's you. What do you see? considers issues of control, internalized hierarchies and collective consent
na narative mo\u0107i. Ko nam govori \u0161ta vidimo? Ko nam je odredio ko smo? I, jo\u0161 va\u017enije, ko je propisao granice onoga \u0161to mo\u017eemo biti? U vremenu kada je slika oru\u017eje manipulacije, a identitet tr\u017ei\u0161na valuta, To si ti. \u0160ta vidi\u0161? poziva na radikalnu introspekciju. Ne onu koja se zadovoljava povr\u0161inom, ve\u0107 onu koja insistira na sirovoj istini.<\/p>

Isidora Brankovi\u0107 o Vizuelno-zvu\u010dnoj izvedbi To si ti. \u0160ta vidi\u0161?<\/p>

Tijana \u0160evo ro\u0111ena je u Banjoj Luci, odrasta i \u0161koluje se u Prijedoru. Na muzi\u010dkoj sceni aktivno djeluje od 2000. godine kao \u010dlanica kolektiva BETON, organizuju\u0107i doga\u0111aje u Prijedoru posve\u0107ene elektronskoj muzici sara\u0111uju\u0107i sa DJ umjetnicima iz regiona. Strast prema gramofonskim plo\u010dama oblikuje njen muzi\u010dki identitet. Godine 2017. pokre\u0107e ILLUMINATIONS \u2013 serijal doga\u0111aja u DKC Incel, gdje spaja DJ-ing, vizuelnu umjetnost i aktivizam. Uklju\u010duje lokalne umjetnike i kroz anga\u017eman u zajednici doprinosi razvoju alternativne kulture u Banjoj Luci. Od 2020. organizuje Graffiti Jam u saradnji sa UG UNSA GETO i Helsin\u0161kim parlamentom gra\u0111ana, okupljaju\u0107i umjetnike iz cijele Bosne i Hercegovine. Paralelno, vodi DJ radionice u Omladinskom centru Zdravo da ste, edukuju\u0107i mlade o gramofonskim plo\u010dama i kreiranju atmosfere kroz muziku. Ulazi u produkciju i videografiju, te sa Daliborom Danilovi\u0107em pokre\u0107e ESCAPE podcast, snimaju\u0107i 9 epizoda s lokalnim DJ-evima i likovnim umjetnicima. Organizuje Trgovinil \u2013 berze gramofonskih plo\u010da, dodatno ja\u010daju\u0107i muzi\u010dku zajednicu. Uz muzi\u010dki i organizatorski rad, posve\u0107uje se pisanju psihologiju, identitet i savremene fenomene. Vizuelno-zvu\u010dna izvedba To si ti. \u0160ta vidi\u0161? Ulazi u \u0161ire polje interdisciplinarnog pristupa i umjetni\u010dkoj diverziji.<\/p>

\u00a0<\/p>

12. februar 2024.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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