{"id":12755,"date":"2024-12-18T21:41:26","date_gmt":"2024-12-18T21:41:26","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=12755"},"modified":"2024-12-18T22:27:54","modified_gmt":"2024-12-18T22:27:54","slug":"almost-every-night","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/almost-every-night\/","title":{"rendered":"Almost Every Night"},"content":{"rendered":"
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\u201cAlmost every night, I sit in bed and stare at my phone. Then I fall asleep and dream about the internet.\u201c Ovim re\u010dima zapo\u010dinje jedan \u010dlanak u online magazinu WEIRD pod nazivom Do you dream in internet? Don\u2019t freak out. \u010cinjenica je da \u017eivimo u hiper-tehnolo\u0161kom vremenu i da je na\u0161a realnost okupirana sajber prostorima, a nekad su ta dva toliko isprepletana da ih je te\u0161ko, mo\u017ee se re\u0107i \u010dak i nemogu\u0107e odvojiti. Na\u0161e kolektivno iskustvo je obojeno online platformama, socijalnim mre\u017eama i rapidnim tehnolo\u0161kim napretkom. Slike Sofije Pavkovi\u0107 gotovo da su apstraktne, a obrisi nasumi\u010dnih predmeta kao da se naziru iza plavi\u010dasto bele zavese koja obavija \u010ditavu povr\u0161inu platna. Nazivi na engleskom jeziku, fragmentirani i magloviti poput sadr\u017eaja na slikama, kao da opisuju deli\u0107 sna ili onoga \u0161to nam nakon bu\u0111enja od njega ostaje. Sama \u010dinjenica da umetnica svoju poeziju i nazive dela\u00a0bele\u017ei na engleskom jeziku svedo\u010di o uticaju koji internet i mediji imaju na na\u0161u generaciju. Nesvesno ili svesno biranje engleskog jezika kao sredstva za najjasnije izra\u017eavanje svojih misli govori o fenomenu konstantnog konzumiranja sadr\u017eaja na tom jeziku i hroni\u010dnog provo\u0111enja vremena onlajn. Snovi su oduvek bili integralni deo ljudskog iskustva, a njihovo tuma\u010denje, bele\u017eenje i pam\u0107enje okupira ljudsku vrstu od samog po\u010detka razvijene svesti i misli. O njima se pi\u0161e u gotovo svakom domenu nauke i paranauke od psihologije i medicine, pa do astrologije. Ovolika rasprostranjenost interesovanja o snovima verovatno poti\u010de iz toga \u0161to univerzalno iskustvo blisko svakom \u010doveku na druga\u010diji na\u010din poku\u0161avamo da razumemo na li\u010dnom nivou budu\u0107i da su snovi duboko subjektivno i intimno iskustvo koje zavisi od mno\u0161tva faktora. Za vreme anti\u010dkog doba mnoge civilizacije i kulture verovale su da u snovima le\u017ei dublje zna\u010denje. Anti\u010dki Grci i Rimljani smatrali su da snovi otkrivaju i prenose odre\u0111ene skrivene poruke iz pro\u0161losti, sada\u0161njosti pa i iz budu\u0107nosti. Zbog nejasno\u0107e porekla snova, koje i danas ostaje dosta maglovito, verovali su da im bogovi ili vi\u0161e sile kroz snove \u0161alju poruke. Me\u0111utim, poku\u0161avali su da prepoznaju va\u017enost tih \u201cporuka\u201d pa tako nisu svi snovi posmatrani na isti na\u010din. Neki su okarakterisani kao manje va\u017eni, dok su se drugi podrobnije analizirali. Ovaj proces diferencijacije nebitnog od bitnog sadr\u017eaja po\u010dinjao je od poku\u0161aja determinacije porekla odre\u0111enog sna kako bi se nadalje odredio njegov zna\u010daj. Jo\u0161 tada je bilo veoma va\u017eno ko sanja, \u0161ta sanja, kakvu reakciju u njemu izaziva san i pod kojim okolnostima osoba sanja. Dokazano je da na snove pojedinca uti\u010du kolektivna dru\u0161tvena, istorijska, politi\u010dka, ekonomska, religijska i eti\u010dka stanja. Snovi su, zna\u010di, pod uticajem okoline, koja \u010dini da apsolutno subjektivno iskustvo u kontekstu zajednice formira odre\u0111ena preklapanja i povezuje rasute pojedina\u010dne misli u narativ ere u kojoj nastaju. A kako mi funkcioni\u0161emo pod uticajem snova? Kako stvaramo inspirisani njima, kako ih bele\u017eimo i pamtimo, i kako oni oblikuju na\u0161 kreativni prostor? Mo\u017eemo li uop\u0161te odrediti koji je zna\u010daj snova i \u0161ta oni predstavljaju u na\u0161im kreativnim procesima? Da li uop\u0161te mo\u017eemo da detektujemo koji procesi u na\u0161em razmi\u0161ljanju i stvaranju poti\u010du od snova? Ovo su samo neka od pitanja kojima se Sofija Pavkovi\u0107 bavi – ne daju\u0107i kona\u010dne odgovore, ve\u0107 samo istra\u017euju\u0107i opcije u svojoj samostalnoj izlo\u017ebi pod nazivom Almost every night. Mnoge stvari koje se pojavljuju u na\u0161im snovima direktno su vezane za na\u0161a se\u0107anja. Australijska antropolo\u0161kinja i umetnica Kejti Glaskin u svom tekstu Dreams, memory and ancestors: creativity, culture and the science of sleep objavljenom u Royal Anthropological Institute of Great Britain and Ireland ka\u017ee da je pam\u0107enje biolo\u0161ka ali i kulturolo\u0161ka stvar, \u0161to zna\u010di da kulturolo\u0161ki aspekt uti\u010de na formiranje, pam\u0107enje, razumevanje i bele\u017eenje snova. Kroz slike, poeziju i prostorne instalacije Pavkovi\u0107 luta kroz prostore snova u cilju istra\u017eivanja istih. Fokus ove izlo\u017ebe je na sada\u0161njosti i svakodnevici (sa osvrtom na sva\u00a0<\/span>istra\u017eivanja i verovanja iz pro\u0161losti). Kada govorimo o savremenom iskustvu i eri u kojoj trenutno \u017eivimo i stvaramo, nemogu\u0107e je zaobi\u0107i fenomen ve\u0161ta\u010dke inteligencije. Poput anti\u010dkih Grka koji su snove tuma\u010dili u skladu sa svojom realo\u0161\u0107u i poznatim fenomenima, tako je sada mogu\u0107e snove tuma\u010diti putem ve\u0161ta\u010dke inteligencije. \u010cini se kao da smo napravili pun krug od antike do AI-a. Me\u0111utim, da li je zapravo mogu\u0107e da kompjuterski program tuma\u010di na\u0161e snove? Ako bi to bio slu\u010daj, da li bi to bilo dobro ili lo\u0161e? Mo\u0107ni novi sistemi ve\u0161ta\u010dke inteligencije pokre\u0107u urgentna i destabilizuju\u0107a pitanja u mnogim oblastima \u017eivota, uklju\u010duju\u0107i istra\u017eivanje snova. Da li \u0107e to\u00a0<\/span>pomo\u0107i ljudima da bolje razumeju zna\u010denje svojih snova, ili \u0107e postati samo jo\u0161 jedan na\u010din na koji tehnologija preuzima kontrolu nad na\u0161im \u017eivotima? Ve\u0161ta\u010dka inteligencija ne mo\u017ee da sanja, pa samim tim u njoj izostaje faktor razumevanja ose\u0107anja koja mo\u017eemo da do\u017eivimo samo kroz li\u010dno iskustvo. Sofija Pavkovi\u0107 u ovoj izlo\u017ebenoj celini ispituje niz fenomena koji se spajaju, prepli\u0107u i postaju neodvojivi tako da se svaki narativ u njih mo\u017ee u\u010ditati. Da li su to bo\u017eanske intervencije, lucidni snovi, produkti kreativnog nadahnu\u0107a ili AI generisana tuma\u010denja izbledelog se\u0107anja na iste. \u010car je u tome \u0161to mo\u017ee biti sve, ali i ni\u0161ta od ovoga. Pavkovi\u0107 u Vagonu poku\u0161ava da stvori hibridni prostor koji nalikuje lucidnom snu. Kroz vizualne i zvu\u010dne efekte kreira amalgam razli\u010ditih nadra\u017eaja kako bi izbrisala granice izme\u0111u stvaraoca i posmatra\u010da i stvorila prostor zajedni\u010dkog sanjanja.<\/span><\/p>

Tekst: Bojana Jovanovi\u0107<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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