{"id":12690,"date":"2024-12-18T19:36:16","date_gmt":"2024-12-18T19:36:16","guid":{"rendered":"https:\/\/vagon.gallery\/?post_type=izlozbe&p=12690"},"modified":"2024-12-18T21:30:50","modified_gmt":"2024-12-18T21:30:50","slug":"porodicna-fotografija","status":"publish","type":"izlozbe","link":"https:\/\/vagon.gallery\/en\/izlozbe\/porodicna-fotografija\/","title":{"rendered":"Family Photography"},"content":{"rendered":"
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Izlo\u017eba Porodi\u010dna fotografija produkt je dijaloga i saradnje izme\u0111u Galerije \u0160tab (Srbija) i Galerije Vagon (Bosna i Hercegovina). Prostori savremene umjetnosti koji afirmi\u0161u i prezentuju rad umjetnika mla\u0111e generacije, svojim naporima pozicioniraju savremenu umjetnost kao prostor anga\u017eovanog afirmativnog razmi\u0161ljanja o mapiranju umjetnosti danas. Porodi\u010dna fotografija istra\u017euje identitet vezan za geografsko podru\u010dje, stvarala\u0161tvo i dru\u0161tvene segmente koji uti\u010du na rad. Individualnost. I sve ono \u0161to poznajemo kao na\u0161e. Intiman odnos izme\u0111u individualnog identiteta i kulturnih slojeva koji ga obliku. Porodi\u010dna fotografija zvu\u010di kao dokument trenutka ? Ona je slojevit dio kriti\u010dkog sagledavanja individualnih funkcija i sloboda u savremenom kontekstu. Kroz interdisciplinarne radove umjetnice i umjetnici Tajana Dedi\u0107 Starovi\u0107, Nikola Tomi\u0107, Irma Be\u0161irevi\u0107, Denis Hara\u010di\u0107, Ognjen Milo\u0161evi\u0107 i Isidora Brankovi\u0107 ispituju razli\u010dite segmente uticaja na kolektivnu i individualnu svijest. Sloboda zvu\u010di kao romanti\u010dka komedija u kojoj ja i nemam neku ulogu ? A savremeni svijet je hod po jetrenoj ov\u010dijoj ko\u017ei? Ponekad! U svijesti skoro uvijek. Performans \u201eSay It Right\u201c istra\u017euje mo\u0107 rije\u010di i ponavljanja kao alatke za unutra\u0161nju transformaciju. Jer ponavljanje je majka znanja? Znam! I meni je to tata uvijek govorio. Mantra, kao mo\u0107na verbalna formula, ima sposobnost da prodre u najdublje slojeve svijesti, da usmjeri misli, emocije i unutra\u0161nje stanja ka odre\u0111enom cilju. Rad Tajane Dedi\u0107 Starovi\u0107 prestavlja \u010din svjesnog usmjeravanja pa\u017enje na unutra\u0161nje procese, gdje ponavljanje postaje ritualni akt koji premo\u0161\u0107uje jaz izme\u0111u nesvjesnog i svjesnog. U radu Herbarijum, umjetnik Nikola Tomi\u0107 istra\u017euje duboki i slo\u017eeni odnos izme\u0111u \u010dovjeka i prirode \u2013 \u017eestoku nit koja nas povezuje s ekolo\u0161kim sistemima na \u010dije zdravlje i opstanak nemilosrdno uti\u010demo. Tomi\u0107 kroz motive herbarijuma, zbirke biljnih vrsta koje se sakupljaju, prou\u010davaju i katalogizuju, stvara umjetni\u010dki zapis o vrstama drve\u0107a koje su na ivici opstanka ili su ve\u0107 izgubljene usljed ljudskog delovanja. Herbarijum postaje simbol ekolo\u0161ke \u017ertve. A \u010dije smo mi \u017ertve? Bi\u0107e isto, nemarnog odnosa prema prirodi u koju smo i mi uklju\u010deni kao neizostavna ta\u010dka \u017eivota. Pa \u010dekajte! Mi imamo jo\u0161 jedan identitet. Individualan. Stabilan. I stavaran. Mislim Da Me Ba\u0161 Ne Vidi\u0161 Kako Sebe Vidim Kako Sebe Vidim x5! Irma Be\u0161irevi\u0107 se poigrava s povr\u0161inskim prikazima i nasle\u0111em digitalne estetike, dok istovremeno otvara pitanja o kontroli, posredovanju i manipulaciji koja oblikuje na\u0161 digitalni identitet.Instalacija evocira ose\u0107aj ironije i nelagodnosti, stavljaju\u0107i u fokus nevidljive strukture mo\u0107i koje uti\u010du na na\u0161e pona\u0161anje. Prikazuju\u0107i digitalne sisteme kroz estetsku prizmu fluxusa i pronala\u017eenja neo\u010dekivanih vizuelnih elemenata istra\u017euje granice izme\u0111u stvarnog i konstruisanog, izme\u0111u \u201cja\u201d koje konzumira sadr\u017eaj i \u201cja\u201d koje je oblikovano tehnolo\u0161kim intervencijama. Denis Hara\u010di\u0107 kroz svoj rad predstavlja duboko humanisti\u010dku refleksiju o nesavr\u0161enosti kao su\u0161tinskoj ljudskoj osobini. Dok se suo\u010davamo sa pritiscima savr\u0161enstva nametnutih kroz dru\u0161tvene mre\u017ee i digitalne medije, Hara\u010di\u0107 istra\u017euje aspekteras\u010dovje\u010denja i pogre\u0161nosti kroz prikaze portreta i figure, isti\u010du\u0107i ranjivost kao va\u017ean segment identiteta. U seriji Sleeper, umjetnik tematizuje bijeg od preoptere\u0107enosti savremenim dru\u0161tvom, gdje automatizacija, kapitalisti\u010dka rutina i fokus na profit dovode do emotivne otupljenosti i gubitka autenti\u010dne li\u010dnost. Identitet zvu\u010di kao te\u0161ko breme koje moramo da nosimo. Uvijek negdje pored nas stoji skrivena renesansa. Kroz rad Ognjena Milo\u0161evi\u0107a svjedoci smo pronalaska identiteta na\u0161im osloba\u0111anjem od konteksta. Njegov meditativan pristup i uzvi\u0161en, bo\u017eanski pogled na prirodu i podsvjetove koji su svuda. U nama.Traganje za vje\u010ditom ljepotom, povjetarcem duhovnosti i zagrljajima Sunca, ostaje duboko ukorijenjeno u umjetni\u010dku praksu Ognjena Milo\u0161evi\u0107a. Isidora Brankovi\u0107 kroz svoj rad O\u010di su odraz du\u0161e ironizuje pristup individualnosti i originalnosti specifi\u010dko u savremenom dru\u0161tvu. Identitet je zagu\u0161en neprestanom borbom ekstremnog konzumerizma, masovnih medija i kulturnih trendova koji uzdi\u017eu masu. Uticaji masovnog, lokalnog, politi\u010dkog, ekonomskog i dru\u0161tvenog stvara sastavni dio onoga \u0161to mo\u017eemo nazvati Ja. Mora\u0161 da se skine\u0161 kako bih ti vidjela zjenice! Izlo\u017eba Porodi\u010dna fotografija ulazi i preispituje sferu postojanja unutra\u0161njeg i vanjskog konflikta u kontroli svega onoga \u0161to jesmo i \u017eelimo biti. Uticaji kolektivne svijesti, koja kao svaka majka jede svoju djecu! Kroz prizmu mati\u010dne porodice, koja u nama ostavlja neizbrisive fragmente te\u0161kog identiteta, koji nikada nismo \u017eeljeli preuzeti. Ko sam? Djeluje kao pitanje za dva! Ko sam u petama i stopalima ? Ko sam \u017eeludcem i crijevima? Ko sam mirisom pljuva\u010dkom ? Ko sam mama, tata i svi vi koji ste se uspinjali da ja ne rastem.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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25. novembar – 6. decembar 2024. godine<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The exhibition Family Photograph is the result of dialogue and collaboration between \u0160tab Gallery (Serbia) and Vagon Gallery (Bosnia and Herzegovina). These contemporary art spaces, which promote and present the work of younger generations of artists, position contemporary art as a space for engaged and affirmative thinking on mapping the art of today. Family Photograph explores identity tied to geographical areas, creativity, and social segments [\u2026]<\/p>","protected":false},"author":14,"featured_media":12691,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-12690","izlozbe","type-izlozbe","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPorodi\u010dna fotografija - Vagon Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagon.gallery\/en\/izlozbe\/porodicna-fotografija\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Porodi\u010dna fotografija - Vagon Gallery\" \/>\n<meta property=\"og:description\" content=\"Izlo\u017eba Porodi\u010dna fotografija produkt je dijaloga i saradnje izme\u0111u Galerije \u0160tab (Srbija) i Galerije Vagon (Bosna i Hercegovina). Prostori savremene umjetnosti koji afirmi\u0161u i prezentuju rad umjetnika mla\u0111e generacije, svojim naporima pozicioniraju savremenu umjetnost kao prostor anga\u017eovanog afirmativnog razmi\u0161ljanja o mapiranju umjetnosti danas. 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