The work "Spasilac / Lifeguard" represents a complex dialogue between personal experience and social structures of power, control, and violence. It emerged as an artistic response to traumatic events.
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In the contemporary art field, success is rarely perceived as a transparent or universally accessible goal. On the contrary, it increasingly resembles a dogmatic belief system.
To save. A term I dream of unconditionally in reality, winding through the deep, twisted shapes of consciousness. Every night before sleep, I think of it. The savior. What a seductive word!
Deities whose temple is invisible, while believers continuously perform rituals unaware of its true presence. That god has no icon and no manifestation. Well, perhaps a manifestation.
In her work Self-Portrait and Other Ruins, artist Ghazal Ramzani inscribes her body into the genealogical continuity of female memory, treating it as a living architecture.
I often feel sickened by the principles that govern breaking through on the art scene, because I share a common impression with my peers that so much of it is based on friendships and favoritism.
Confessional is a discursive and visual structure by Alekse Jovanović and Jelena Vojvodić that delves into the complex relationships between artistic expression, institutional mechanisms, and digital self-reflection.
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The experience with Vagon has been wonderful. I’m truly impressed by the way Isidora runs the gallery — her curatorial approach, the program, and the artists she brings together.
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In encounters that transcend geographic coordinates, art often becomes a meeting place of history and fiction, intimacy and politics, body and boundaries.
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That June morning three years ago, as I sat in the editorial office with my first coffee, scrolling through regional news portals and daily newspaper pages looking for interesting topics,
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No News Agency as a tool for deconstructing hegemonic narratives, No News Agency examines the boundaries between facts and interpretations, between conventional media narratives and personal history.
The exchange of gifts and the obligation to reciprocate Giving is a fundamental social act, almost an axiom of every community. It is not merely the passing of an object from hand to hand—
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